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Category: Classic Rock

8 Replies to “ Crisis Time - The Gotobeds - Blood // Sugar // Secs // Traffic (CD, Album) ”

  1. Jun 09,  · The Gotobeds Blood Sugar Secs Traffic. 7/ Words by Alex Wisgard. A cursory listen to The Gotobeds’ first Sub Pop album would suggest that the band spent hours trawling through Pitchfork’s Best New Music, trying to find what spiky indie rock is currently popular with internet tastemakers. The COVID crisis has cut off our.
  2. This album is 38 minutes of sheer musical lunacy by a band who seems, above all, to just want to have a good time and have their audience do the same, and there's nothing wrong with that. It's one of the best releases I've heard so far. If you haven't heard it yet, wake up and discover the Gotobeds!5/5(3).
  3. Jun 10,  · View credits, reviews, tracks and shop for the Vinyl release of Blood // Sugar // Secs // Traffic on Discogs.2/5(2).
  4. CD copy of the album in gatefold digipak packaging. Includes unlimited streaming of Blood // Sugar // Secs // Traffic via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
  5. Music Reviews: Blood // Sugar // Secs // Traffic by The Gotobeds released in via Sub Pop. Genre: Indie Rock.
  6. Jun 02,  · The Gotobeds Blood // Sugar // Secs // Traffic Sub Pop Street: The Gotobeds = Swell Maps + Wire + Pavement. The Gotobeds are four self-described knuckleheads straight outta Pittsburgh. They take their name not from a mashup of the words “go to bed,” but rather from the drummer of the legendary post-punk band Wire: Robert Gotobed. The.
  7. Hierna gaan de heren echter weer flink los en valt vooral Crisis Time op, dat de huidige muziekindustrie en -consumenten een spiegel voorhoudt en qua stijl doet .
  8. Jun 10,  · Hey, what's this? Well that, my friend, is the newest album from The Gotobeds, entitled Blood // Sugar // Secs // Traffic. It's their second full-length LP and their first for Sub Pop. Whoa, whoa, please slow down. I'm already completely lost. What you just said sounded like a stream of complete.

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